MacDrive fool’s the disc’s programming into thinking that your computer is a Mac, which causes the disc to only show you the Mac files on it. The disc version is designed to sense the operating system it’s put in. The only small caveat to ease of use is for folks who puchase the disc version of this software (as opposed to downloading it from Red Giant’s site) and who are using MacDrive on their PC. All of these Primitives are set on a central axis, so that when you drag the source flare around, the positioning of the other flare elements realigns with that source to simulate real light sources hitting the lens of the virtual camera. Primitives are individual parts of lens flares, and cover things like Glow, Disc, Ball, Fade Ring, etc. Once you’ve done that, you just click on the ‘Options’ tab and pull up the Lens Editor which will let you load any of the 70 presets, which you can then tweak to your hearts content, or build your look from the ground up with any combination of the 22 primitives available. You can lay down your KLF effects on the track you want and then pull up the general options, like motion, scale, hue, and the like, which can be keyframed anywhere you want across your piece. With that said, let’s get in depth with the newest version of Knoll Light Factory Pro!įor most of the basic options, KLF Pro 2.5 is very easy to use. (However, unlike 2.0, the Photoshop plug-in is no longer included with the video version and must be purchased separately.) For those of you who are unfamiliar with the software, it is specifically designed to allow you to make custom lens flares that can be used to simulate everything from shooting starts to warp fields. Famed visual effects creator John Knoll (the co-creator of Photoshop and the Effects Supervisor of Star Wars/Pirates of the Caribbean) returns with a brand new version of Knoll Light Factory, which will now work with Motion and Avid, as well as FCP, Premiere Pro, and After Effects that it’s worked with in the past.
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